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  • Andrea Mantegna - Wikipedia
    Andrea Mantegna (UK: mænˈtɛnjə , US: mɑːnˈteɪnjə ; [2][3] Italian: [anˈdrɛːa manˈteɲɲa]; c 1431 – September 13, 1506) was an Italian Renaissance painter, a student of Roman archaeology, and the son-in-law of Jacopo Bellini
  • Andrea Mantegna | Italian Renaissance Painter Engraver - Britannica
    Andrea Mantegna (born 1431, Isola di Cartura [near Vicenza], Republic of Venice [Italy]—died September 13, 1506, Mantua) was a painter and engraver, the first fully Renaissance artist of northern Italy
  • Andrea Mantegna - World History Encyclopedia
    Andrea Mantegna (c 1431-1506 CE) was an Italian Renaissance artist most famous for his use of foreshortening and other perspective techniques in engravings, paintings, and frescoes
  • Andrea Mantegna - 155 artworks - painting - WikiArt. org
    Andrea Mantegna lived in the XV – XVI cent , a remarkable figure of Italian Early Renaissance and High Renaissance Find more works of this artist at Wikiart org – best visual art database
  • Andrea Mantegna - National Gallery of Art
    Andrea Mantegna, Italian 15th Century, Four Dancing Muses, after 1497, engraving on laid paper, Gift of W G Russell Allen, 1941 1 10
  • Andrea Mantegna Biography and Artwork – Artchive
    Andrea Mantegna was an Italian Renaissance artist known for his meticulous attention to detail and dedication to classical antiquity Born in Isola di Carturo in 1431, he studied Roman archaeology and was the son-in-law of Jacopo Bellini
  • Andrea Mantegna, life and works of the master of the Mantuan Renaissance
    Andrea Mantegna (Isola di Carturo, 1431 - Mantua, 1506) was one of the greatest Renaissance artists of northern Italy The painter worked at length between Mantua, Padua, and Ferrara, and thanks to his originality and passion for classical art he managed to obtain the title of “knight ”
  • Andrea Mantegna Paintings, Bio, Ideas | TheArtStory
    Andrea Mantegna's productive years, 1448-1506, bridged the Early and High Renaissance periods, and the spirit of his work exemplifies the vexed contrasts between humanism and martial aggression, between piety and the profit motive, which characterized the era
  • Andrea Mantegna - Famous Paintings and Biography - The History of Art
    Andrea Mantegna was a highly skilled Italian painter from the 15th century whose life and career was heavily intertwined with the equally successful Bellini family
  • Andrea Mantegna (about 1431 - 1506) | National Gallery, London
    Mantegna was born near Padua and worked for local artist Squarcione Believing his talents were being exploited, the ambitious young artist broke their agreement and in 1453 married into the rival Venetian firm of the Bellinis Mantegna's early style is represented by the 'Agony in the Garden'
  • Andrea Mantegna — Google Arts Culture
    Andrea Mantegna was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini Like other artists of the time, Mantegna experimented with
  • Mantegna Exhibition - Musée du Louvre, Paris
    For the first time in France, the Musée du Louvre presents an important retrospective exhibition of the work of Andrea Mantegna (1431-1506), the main representative of Renaissance ideas in northern Italy
  • Andrea Mantegna summary | Britannica
    Andrea Mantegna, (born 1431, Isola di Cartura, near Vicenza, Republic of Venice [Italy]—died Sept 13, 1506, Mantua, March of Mantua), Italian painter The son of a woodworker, he was adopted by Francesco Squarcione, a tailor-turned-painter; Mantegna was one of several pupils who later sued him for exploitation
  • Andrea Mantegna - Palazzo Maffei Verona
    Andrea Mantegna, born in Isola di Carturo (today Isola Mantegna) in the district of Vicenza, north of Padua, in 1431, was one of the most important painters and engravers of the Italian Renaissance
  • Andrea Mantegna
    Andrea Mantegna (UK: , US: , Italian: [andra mantea]; c 1431 September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini Like other artists of the time, Mantegna experimented with perspective, e g by lowering the horizon in order to create a sense of greater monumentality





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