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  • Track to Mike Vertas live criticism yesterday 23. 03. 2025
    I threw this track to Mike Verta's live criticism feed yesterday, you can find both the track and the link to Vertas criticism in my text below So, why am I saying this, well, maybe its interesting to see his reaction; the track is completely against his philosophy discipline (which I knew very well and thats the reason I sent it)
  • Is there an equal alternative to Mike Verta courses?
    I currently have NI Action Strings 2, Action Strikes, Mallet Flux; Sonokinetic Da Capo; Best Service The Orchestra Complete 2; PojectSAM Lumina And I am really drawn to the sound in the demo's of Sonokinetic Grosso The Orchestra Complete 2 is truly fun to play with, as a side not Okay
  • Suggested reading for orchestration details | VI-CONTROL
    Hi, I'm a (hobby) musician composing and arranging mainly pop wave stuff Just recently though my interested turned to classical orchestration (both as supporting score for films and "standalone") I've read a bunch on the subject of instruments, how they sound, what articulations they can
  • Audio Imperia - Some Excellent Orchestral Samples - VI-CONTROL
    • For Nucleus other AI libraries, what CC1 techniques tend to work best? There's the Mike Verta peak and slope technique, the dome-like swell and fade, etc Does one REALLY need to ride CC1 all the way to zero at the end of notes since release samples are really doing that? • Where are the dynamic cutoffs for each instrument on the CC1 range?
  • Volume Balancing Strategies | VI-CONTROL
    TLDR, how does everyone approach the task of volume balancing the various instruments in your mix so that the orchestra sounds cohesive? (Feel free to ignore the block of text below if it's too much detail ) I'm pretty new to mixing Right now in a project template I have volumes matched pretty
  • Are there wind instruments on this track? I have a bad ear . . . - VI-CONTROL
    Search titles only By: Search Advanced search…
  • Composing, Mixing, Mastering . . . Can you do it all? | Page 3 - VI-CONTROL
    Just recently, I've been watching Mike Verta's Virtuosity and Template balancing courses, which are specifically for mixing virtual orchestral instruments Just a few hours in these courses will save me many days of struggle, as Mike has spent years learning how to mix virtual instrument mockups that have been used in movie trailers for Warner
  • Opening Fanfare 2 - VI-CONTROL
    Hello everyone! I tried this morning to write a rememberable anthem using MA1, which I know is more epic-stuff-oriented I was wondering if it would be better with a harp, or maybe timpanis The spacing of the woodwinds is utterly weird, I can't manage to make them sound behind and
  • How well does a composer typically play his her primary instrument . . .
    I wonder When I'm sight-reading, I use whatever fingerings work at the time Sometimes it isn't pretty, but it gets the job done I think I would almost say that the fingerings and pedalings are improvised When I play THAT ii-V-I lick for the 12,000th time (oh, how about
  • Favorite Rhodes VST? | Page 3 | VI-CONTROL
    Mike Verta did a great video going through the presets: 3) Scarbee EP-88 - Super smooth and clean, has





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