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  • Marina Abramović - Wikipedia
    In this performance, Abramović sought to re-evoke the energy of extreme bodily pain, using a large petroleum-drenched pentagram, which the artist lit on fire at the start of the performance Standing outside the pentagram, Abramović cut her nails, toenails, and hair
  • Marina Abramović
    Marina Abramovic, Yugoslav-born performance artist known for works that tested the endurance and limitations of her body and mind Her notable projects include Balkan Baroque (1997), The House with the Ocean View (2002), and The Artist Is Present (2010)
  • Still the most dangerous woman in art? - BBC
    Abramović writes in her memoir that she loved a quote from fellow performance art pioneer Yves Klein: "My paintings are but ashes of my art " But there is still a need for legacy, longevity, and
  • 10 Famous Artworks By Marina Abramović - Singulart Gallery
    Marina Abramović is a Serbian conceptual and performance artist Her work investigates the boundaries of the body, the potential of the mind, the interaction between the artist and the audience, and endurance art
  • Abramović Performances, Bio, Ideas | TheArtStory
    Abramović, who has referred to herself as "the grandmother of Performance Art," was part of the earliest experiments in performance art, and she is one of the few pioneers of that generation still creating new work
  • Marina Abramović: Endurance and Evolution in Performance Art
    Discover the evolution of Marina Abramović’s groundbreaking performance art and how she continues to shape the future of the medium
  • ‘It’s really important that the public is not just a silent witness . . .
    In 1997 Marina Abramović was the first woman to win the Biennale’s Golden Lion Best Artist award for Balkan Baroque, a gruelling performance work where she sat in a dark basement scrubbing
  • Marina Abramovic
    Since the beginning of her career in Yugoslavia during the early 1970s where she attended the Academy of Fine Arts in Belgrade, Abramovic has pioneered the use of performance as a visual art form The body has always been both her subject and medium
  • Marina Abramović’s Historic Venice Biennale Exhibition Is a Full-Circle . . .
    Marina Abramović vividly remembers traveling by train from her hometown of Belgrade to attend her first Venice Biennale at the age of 14 Abramović recalls that the sight of the “floating city” in northeastern Italy brought her to tears “It was completely different from anything I knew The city itself felt like a vision, something impossible,” Abramović reflects “Venice gave me
  • Marina Abramović Brings Psychodrama to Copenhagen’s Cisternerne
    Marina Abramovic Brings Psychodrama to Copenhagen’s Cisternerne In conversation with Observer, the artist reflects on "Seven Deaths," her immersive installation of short films featuring





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