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octosyllabic    
a. 八音节的
n. 八音节的诗句

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  • CHAUCERS USE OF THE OCTOSYLLABIC VERSE - JSTOR
    the result of the combination of the French octosyllabic verse with the native English verse This native form of verse was aa non-syllabic one of four accents with a feminine rime most frequently, though a line of four accents with a masculine rime often occurs, and less frequently one of three accents
  • Generative metrics and Old French octosyllabic verse
    Undeniably, all “correct” Old French octosyllabic verse conforms to the Null Pattern 9 So as an inviolable condition on the well-formedness of the verse type, the Null Pattern is an accurate description and the usual one
  • Las cartas en verso octosilábico y las epístolas en endecasílabos en . . .
    Lola Esteva de Llobet (IES Santamarca, Madrid, España) Abstract My work focuses on the small anthology of love letters of the poet Jorge de Montemayor, some in octosyllabic verse, which he calls «cartas», and others in hendecasyllabic verse, which he calls «epístolas» All of them are addressed to women The octosyllabic-verse letter appears to be less representative in the courtly
  • An Octosyllabic Kuria Praise Poem
    Abstract This paper examines Kuria praise poetry from a prosodic point of view It argues that though the poem is delivered at great speed, it follows well laid out rhythmic patterns Further, it claims that the poem is fundamentally a syllabic verse, that is, a verse in which syllable count is the main organizational strategy The main finding is that the poem under analysis is octosyllabic
  • 4 Apollinaire’s Octosyllabic Quatrain, Translation and Zoopoeti
    the standard English octosyllabic reference is iambic tetrameter But it is an accommodating beast: it will tolerate the disaccentuation of the odd stress; triple, and even quadruple, time introduced momentarily into its duple time, with compensating vocal acceleration; an added fem
  • Demystifying Prosody - University of Wyoming
    Couplets A distich or pair of lines of verse of roughly equal length They are further described by their number of syllables (octosyllabic, decasyllabic), the number of metrical feet (trimeter, tetrameter, pentameter) and their meter (iambic, trochaic, etc ) Often the two lines will rhyme, and sometimes they will be end-stopped or closed, that is containing punctuation after the second line
  • Rhythmic change in the medieval octosyllable and the development of . . .
    3 Study: the rhythm of the octosyllable The study examines the rhythmic patterns of octosyllabic verse in a corpus of 500-line extracts drawn from the earliest texts to 1500, using rhythmic reconstructions as outlined in §2 3 In addition to the focus on change over time, I will also consider whether there is a secondary effect of text type
  • Purnelle33 - uliege. be
    Abstract This paper analyzes and compares octosyllabic verses by sixteen Belgian and French poets, ranging from Baudelaire and Hugo to Éluard and Perros, with a special emphasis on post-stress e's at the various places this vowel can occupy Even and odd syllables are confronted to determine whether some poets strive for, or avoid, an iambic scansion of their octosyllables The study shows
  • Geoffrey Chaucer : The Father of English Literature
    In Chaucer’s first narrative poem The Book of The Duchess, the interest lies less in the celebration of the dead duchess than in the life given to the poem by the current of psychological curiosity that runs through it The octosyllabic couplets move easily enough, though without the combination of control and variety that characterizes Chaucer’s nature verse, and they begin by presenting
  • LAI (plural lais, also spelled lay genre courtly love Bretons de Marie . . .
    LAI (plural lais, also spelled lay): A short narrative or lyrical poem, usually in octosyllabic couplets, intended to be sung Helen Cooper called the genre the "mini-Romance" since the typical theme and content deals with courtly love and the other concerns of medieval romance Unlike the medieval romance, however, the lais are not designed in an episodic manner, i e , they are not meant to





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